花辨直播官方版_花辨直播平台官方app下载_花辨直播免费版app下载

Exhibition expounds on 'vision and verse' in Chinese art

Importance of poetry in painting displayed in 90 artworks at The Met in New York

By ZHAO XU | CHINA DAILY | Updated: 2024-05-28 07:15
Share
Share - WeChat
Visitors appreciate the artworks of the exhibition Vision and Verse: The Poetry of Chinese Painting at the Met Fifth Avenue galleries in New York. SU QIANG/CHINA DAILY

Literati painting

Self-expression, filtered through literary sensibilities, was at the heart of a unique Chinese art phenomenon known as "the literati painting", of which Zhao Mengfu (1254-1322) was a powerful exponent.

Zhao came up with the idea that "calligraphy and painting share the same source", which may sound to some like Wang Wei's take on the relationship between poetry and painting. "It's more like an homage that represented another key development in the creation and acceptance of the concept of literati painting," said Dolberg.

"Zhao probably had started reading poetry since (the age of) three. And the idea that he wasn't aware of most of Wang Wei's writings is just not credible," he continued.

"So he was trying to add to Wang's idea by saying that painting can't just be painting — it has to be like poetry, it has to be like calligraphy, otherwise it's not suited to a gentleman who's a member of the literati."

And for a painting to live up to that standard, it naturally had to include poetry and calligraphy which, together with painting itself, made up for the so-called "three perfections" required of a literati painter.

"The idea of a painter writing his own poem rendered in his own calligraphy to create this kind of total artwork had fundamentally changed the landscape of Chinese art for the next 600 years," said the curator. "That's why we need to take a deep look into the poetry of Chinese painting, not just as a way to gauge feelings and emotions, but also as a resource for understanding what it means to be part of the Chinese culture."

That being said, the feelings and emotions, even concealed in allegorical images or a landscape inspired by a nature vignette composed by Wang Wei or Du Fu, had never failed to resonate with a listening heart.

"When we were young and vigorous, we flew about in high spirits …In our old age, both of us have suffered disappointments: once again we were alike," wrote Wang Jian of himself and his friend, for whom his album of Du Fu poetry-inspired landscape paintings was intended.

"I leave this album with him so that even while reclining, he may still go wandering."

 

|<< Previous 1 2 3 4   
Top
BACK TO THE TOP
English
Copyright 1995 - . All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co (CDIC). Without written authorization from CDIC, such content shall not be republished or used in any form. Note: Browsers with 1024*768 or higher resolution are suggested for this site.
License for publishing multimedia online 0108263

Registration Number: 130349
FOLLOW US