The stage scenery, designed and inspired by the idea of mutualism of blankness and fullness, in traditional Chinese ink paintings, with China-featured classical symbols used in multiple locations, boasts an artful combination of the curtain, folding screen, tables, chairs and lights, making it possible to create a space for imagination.

"We presented contrasts in this dance drama, in terms of time and space, the comparison between women from over 200 years ago and modern women, and the parallels between the 12 beauties and flowers, all helping us transition from literary qualities to theatrical expressions," says Li Xing.

"It was the first time that we brought our own creation to perform overseas, which is important for us as young artists," says Li Chao, who has performed with Li Xing as dancers in Singapore. "In our creative process, we don't want to keep our aesthetics confined; we should be open, vibrant and raw. Besides the exquisite details, we wanted to touch on human experiences and the destinies behind those individuals in the novel."

After shows in Singapore, the dance drama was staged in more Chinese cities, including Shenyang, northeastern Liaoning province, and Hohhot, capital of North China's Inner Mongolia autonomous region. The dance drama is being staged at Beijing's Tianqiao Performing Arts Center until Sunday.

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