She designed silk scarves featuring zaojing (caisson ceiling) patterns from Dunhuang and white doves, which were chosen as gifts to international delegations attending a conference in Beijing in 1952.

Years later, she became a member of the design team for the interior decoration of the Great Hall of the People, during which time she learned to go beyond aesthetics to also consider other factors such as function and materials.

Decades afterward, she incorporated Dunhuang art into her designs at several landmark venues in Beijing, including the Cultural Palace of Nationalities and the Capital Theater. The Everlasting Beauty of Dunhuang exhibition has been her latest effort to carry on her father's commitment.

She recalls the time when she launched the touring exhibition a decade ago. "Many people said, you are elderly, and you should no longer make yourself busy with things. I always keep in mind father's wishes to carry on the Dunhuang heritage, and for that reason, I always feel energetic," she says.

"The exhibition has toured dozens of cities, and I will keep promoting Dunhuang art as long as I can walk and talk. It is a tribute to my father and my mentor, Lin Huiyin, especially in this year that marks the 120th anniversary of both of their births."

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